No Concessions: Seventies Highs — “Pineapple Express,” “Man on Wire,” and Patti Smith
Friday, August 8th, 2008 by Bob Cashill
If I ever run for office, and someone asks the drug-use question, I can honestly say I didn’t inhale. While pop-music critics are a Dionysian lot, snorting coke off groupies’ breasts, film critics are prim, fussbudget types. There were a lot of people laughing at the stoner humor in Pineapple Express. Me, I rolled my own. My bliss started with the opening credits: The film is a Columbia release, and to get the ’70s vibe under way, the opening credits are in the same exact font the studio used for its comedies in the shag-carpet days. “Man, this is gonna be some good shit,” I thought.
And I was right. There is some good shit in Pineapple Express. But there’s some bad shit too. Plus some bat shit toward the end, though the best shit comes after the bad shit, when three of its characters are just sort of chewing the fat the morning after some heavy shit has gone down.

The film comes to us from producer Judd Apatow, whose modest mom-and-pop comedy outfit became a factory after last summer’s Knocked Up and Superbad, both of which were $100 million hits, now churning out new yuks every quarter. Pineapple Express’s star, Seth Rogen, cowrote the script, which I suspect was merely a list of suggestions as he and James Franco, tending to his long-dormant funny bone, headed to the set and started making shit up. The best scenes in the movie, which pit Rogen’s maturity-challenged process server and Franco’s puppyish pot dealer against a bunch of heavies looking for some really great shit cultivated by the government, have the smell of improvisation to them.




Popdose represents the coming together of a veritable who's who of music bloggers and an ever-expanding roster of writers who've made it their mission to experience the best and worst in pop culture — from music to movies, TV, and books, with a dash of current events thrown in for good measure — so you don't have to. Popdose delivers coverage both in-depth (the all-encompassing