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SXSW Interview: The Mastersons
We first saw Chris Masterson in the late 1980s at a place called Blythe Spirits in Houston. His dad would bring him and his guitar to open mic night on Sundays because he was
Read More »Basement Songs: “Dead Man Walking”
A look at Tim Robbins' exemplary film in this week's Basement Songs
Read More »A Fan’s Notes: Rhythm & Roots Festival, Charlestown, RI
Ken Shane recently attended the Rhythm & Roots festival in RI for the first time. He reports on a day of great live music
Read More »Soul Serenade: “Treme: Music From the HBO Original Series, Season One” (Win a Copy!)
Earlier this year HBO aired the New Orleans-based series Treme, featuring remarkable music each week. Now it's been collected in a soundtrack album.
Read More »Bottom Feeders: The Rock End of the ’80s, Part 15
Week 15 brings us the start and the finish of the letter E. Gotta love when that happens. Well, gotta love it when it includes some better songs. I don’t think E was too
Read More »Popdose Contest: Win a Preservation Hall Prize Pack!
Thanks to the folks at 'Stache Media, we're giving away a killer prize pack that includes the new Preservation Hall Jazz Band album -- and a bunch of other stuff. Enter to win!
Read More »Mix Six: Emmylou Harris, the Great Harmonizer
Emmylou Harris burst on to the music world when the late Gram Parsons brought her into his band. Over the course of two albums and an endless number of tour dates, Parsons and Harris
Read More »CD Review: Guy Clark, “Somedays the Song Writes You”
I am honored to play a small role in the wonderful music community centered around Asbury Park, N.J. There are a number of really good bands among us, and we’re particularly fond of our
Read More »CD Review: Buddy and Julie Miller, “Written in Chalk”
It certainly wouldn’t be accurate to say that Buddy and Julie Miller have bad luck. After all, each of them has had wonderful career as songwriter and performer. They’ve each had fine solo albums.
Read More »Basement Songs: Steve Earle, “The Revolution Starts Now”
Growing up in a house filled with the sounds of John Philip Sousa and Henry Fillmore, melody and rhythm came first. As I got older and delved deeper into modern music, I gradually began
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