Posts Tagged ‘Steve Earle’

Popdose Contest: Win a Preservation Hall Prize Pack!

A few weeks ago, I wrote about how much I love the new Preservation Hall Jazz Band CD — and although I’m *cough* sure most of you ran right out and bought your own copies after reading my review, if for some reason you’re still Preservation-less, I have good news for you, courtesy of the good people at RED and ‘Stache Media. Yes, folks, it’s contest time!

Here’s what you stand to win: Not only are we giving away a copy of the new Preservation album, our lucky contest winner will also receive the latest releases from some of the many guest artists who make an appearance. Here’s the rest of the prize package:

Andrew Bird, Noble Beast

My Morning Jacket, Evil Urges

Jason Isbell, Jason Isbell and the 400 Unit

Cory Chisel and The Wandering Sons, Death Won’t Send a Letter

The Del McCoury Band, Family Circle

Buddy and Julie Miller, Written in Chalk

Steve Earle, Townes

How’s that for one hell of a prize? And here’s the best part: You don’t even have to leave the comfort of your computer to win. All you’ve gotta do is send an e-mail to our friend Jeff Vrabel containing at least one YouTube clip from a Burt Reynolds movie. Jeff lives in South Carolina, so it’ll be helpful if the subject line includes a “y’all” or two, but all you really need to do is include a link to a clip. Vrabel loves him some Burt Reynolds, y’all!

Good luck, everyone!

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Mix Six: Emmylou Harris, the Great Harmonizer

Emmylou Harris burst on to the music world when the late Gram Parsons brought her into his band. Over the course of two albums and an endless number of tour dates, Parsons and Harris created some of the most beautiful harmonies since Johnny and June Carter Cash in the ’60s. As much as I love Roy Orbison, I feel that the Parsons/Harris duet of Orbison’s “Love Hurts” remains the definitive version of the song. When Parsons became another victim to drugs, Harris forged her own legendary career, while almost single-handedly keeping Parsons’s legacy alive. She also continued to lend her lovely voice to the work of some of music’s most important artists, including Bob Dylan, Neil Young, Cash and Orbison, while championing many up and coming singer/songwriters, much as Parsons had done for her. To this day, her harmonies will appear backing up some of the finest musicians around. Here are just six of her most memorable appearances in the past 20 years. (more…)

CD Review: Guy Clark, “Somedays the Song Writes You”

Guy Clark - Somedays the Song Writes YouI am honored to play a small role in the wonderful music community centered around Asbury Park, N.J. There are a number of really good bands among us, and we’re particularly fond of our singer/songwriters. Among the standouts in this genre for us are the nihilist poet Rick Barry, the irrepressible Amanda Duncan, and George Wirth, who is the musical link to the Austin, TX songwriters’ scene that this review is ostensibly about. We’re pretty proud of our local musicians, and why not? After all, Asbury Park has produced at least one of the world’s greatest songwriters.

You may have heard that Austin has a music scene all its own. Better? That’s a judgment call. Bigger? Definitely. The stars shine bright in the Austin galaxy. The scene’s most treasured son burned too brightly, and was gone too soon. Hopefully you’re acquainted to some degree with the music of the more well-known figures. Names like Jerry Jeff Walker, Lyle Lovett, Steve Earle, Blaze Foley, Eric Taylor, and the late Townes Van Zandt leap to mind. The younger generation carries the torch in the person of Sam Beam, a.k.a. Iron & Wine. The patriarch of this scene is Guy Clark. He and his wife Susanna nurtured the others at guitar gatherings in their home, much as George and Brenda Wirth do in Asbury Park. Every few years, Guy presents us with the gift of a new album. His latest, Someday the Song Writes You (Dualtone Records), is a master class in Texas songwriting.

When I think about the Texas songwriters, and Guy Clark in particular, the word that always comes to mind is “dignified.” Don’t take that to mean that the music is dull or boring. It’s presented with great humility. Sometimes it’s funny, but rarely brash or boastful. Hard learned life lessons are shared. Hearts are broken. Nothing is conceded. Life goes on. No artist embodies the Texas songwriter zeitgeist more than Guy Clark. He’d probably hate that I just used the word “zeitgeist.” I think I do too. (more…)

CD Review: Buddy and Julie Miller, “Written in Chalk”

Buddy and Julie Miller - Written In ChalkIt certainly wouldn’t be accurate to say that Buddy and Julie Miller have bad luck. After all, each of them has had wonderful career as songwriter and performer. They’ve each had fine solo albums. A variety of country artists have had success with their songs, including Lee Ann Womack and Dierks Bentley.

Buddy has played guitar on tour with Steve Earle, Emmylou Harris, and more recently Robert Plant and Alison Krauss, and he’s produced albums in the studio he built in their Nashville home for Allison Moorer, Solomon Burke, and Jimmie Dale Gilmore. Together, Buddy and Julie have played inspirational shows all over the country.

But back to that luck thing. Written In Chalk (New West Records) is only the couple’s second album together. The first, Buddy and Julie Miller, was released exactly one week after September 11, 2001. Then, just days before this new album was released, Buddy was admitted to a hospital in Baltimore complaining of chest pains. He needed immediate bypass surgery, and though he’s coming along fine now, he is temporarily unable to go on the road to support the new album. Buddy and Julie are people of faith, and it’s their faith that has sustained them through setbacks and success.

This was supposed to be Julie’s next solo album, her first since 1999’s Broken Things. Most of the new record was finished, when her brother died tragically, causing the recording process to come to a halt. They tried to get back to it, but it wasn’t working. Meanwhile Buddy was working on his own Grammy-nominated Universal House of Prayer, and producing other artists. Finally, the circumstances were right for Written In Chalk to come together. At least two of the songs on the new album are songs that were originally intended for Julie’s solo album, songs that I heard her perform as long as five years ago.

As you might expect, Written In Chalk reflects the sorrow that the Millers have had to cope with in recent years. Julie in particular has a knack for crafting the most heartbreakingly beautiful songs that contain not one ounce of self pity. That’s great songwriting, and it’s especially evident on the magnificent “Don’t Say Goodbye,” a tribute to her late brother that features harmony vocals by Patty Griffin. Julie is also featured on a lovely tribute to June Carter Cash called, simply, “June.” (more…)

Basement Songs: Steve Earle, “The Revolution Starts Now”

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Growing up in a house filled with the sounds of John Philip Sousa and Henry Fillmore, melody and rhythm came first. As I got older and delved deeper into modern music, I gradually began to listen to the singers and their lyrics. Sitting in the basement of my parents’ house, I was swept away by the three and four minute short stories contained in popular music. It was there in the basement that I first realized some singers were doing something else with music: they were delivering the news of the day. I’ll never forget the first time I brought home a warped copy of Legend from the library. My intention was to listen to “Jammin’.” Instead, I became mesmerized by Bob Marley’s chanting. “Get up, stand up/Stand up for your rights.” Something stirred in my soul. (more…)