In the HBO/BBC co-production Into the Storm, a visibly moved Winston Churchill (played, in an Emmy-winning performance, by Brendan Gleeson) screens his favorite movie, That Hamilton Woman (1941), for guests. Churchill is said to have a hand in its production, whose intent was to rally an isolationist America to Britain’s side as World War II ravaged Europe. It’s also beloved by the venerable film critic Andrew Sarris, who claims to have seen it 80 times. And it earned a spot in Danny Peary’s outstanding three-book overview, Cult Movies. So what’s special about That Hamilton Woman?
A typically fine Criterion Collection disc gives a few answers—though the booklet essay by Molly Haskell is silent on her husband, Sarris’, affection for the picture. It’s unabashed propaganda, so much so that only Pearl Harbor and America’s entrance into the war spared producer/director Alexander Korda from a Senate subcommittee investigating the interventionist influences that were attempting to sway public opinion. That New York audiences cheered its anti-appeasement and pro-war sentiments, allegedly penned by the prime minister himself, made a strong case for the government. But the film is leavened by a classic romance, actually two—the one onscreen, between the dashing Admiral Lord Nelson and the irresistible Lady Emma Hamilton, and the one off, between stars Laurence Olivier and Vivien Leigh. Both were steeped in adultery, though the movie, mindful of Hollywood censorship, minimizes the facts of the historical affair—Hamilton’s extravagantly checkered past has been tidied up, and the inconvenient truth of their out-of-wedlock daughter ignored.
Having married in 1940, Olivier and Leigh were off the hook, but just barely, as audiences knew. Romantically involved since Korda paired them in his earlier Fire Over England (1937), the two became major movie stars in 1939, Olivier in Wuthering Heights and Leigh in…well, do I have to say? (Look for it on Blu-ray in November.) That Hamilton Woman, their third and last collaboration onscreen, was a honeymoon project for them. (more…)
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“Filler” is a term often used by music fans to describe songs that sound like they were quickly put together to take up space on an album in order to “fill out” the running time. Though filler can often be quite good, snobbier music fans sometimes use it as an excuse to turn their noses up at others. Ironically, this attitude can be just as annoying as the people the snobs want to put down.
I’ve been 
