Way Out Wednesday: “Modern Barbershop Quartet”

What happens when you get Way Out…in barbershop harmony?

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Way Out Wednesday: “Modern Barbershop Quartet”

It’s no secret that I’m a big fan of barbershop music, and this interesting novelty album from 1974 takes it to a whole new level. Snuff Garrett was a well-known record producer that worked with a number of different acts — Bobby Vee, Gary Lewis and the Playboys, and Sonny and Cher to name a few. He came up with the concept for this album, which was to take popular music and arrange it for a barbershop quartet. This was done somewhat tongue-in-cheek (at least going by the tone of Gary Owens’ liner notes), but it’s really not too bad. In fact, the album is ahead of its time, considering it’s not that unusual to hear a cappella groups doing the same thing with songs now. Here are a few examples of what we’ve got here.

We start with the classic “Tie a Yellow Ribbon Round the Ole Oak Tree,” originally performed by Tony Orlando and Dawn. This type of song really lends itself well to an a cappella arrangement. In fact, I think I like this just as much as the original! (more…)

Way Out Wednesday: “Popeye’s Zoo”

This week, we have an unusual album featuring Popeye the Sailor Man singing songs and telling stories about his desire to create a zoo. I’m guessing this record came out around 1959, because the back cover mentions that it ties in to the “brand-new series of 208 cartoon films produced especially for television by King Features Syndicate.” Wikipedia dates that to the autumn of 1960. Another indicator of this is that the villain known as Bluto in the old cartoons is referred to here as Brutus. However, in this album, they and Wimpy and Olive Oyl all seem to be best buds trying to catch animals for their zoo.

We start with Popeye singing his theme song “I’m Popeye the Sailor Man” (which is fine because, after all, he is). He also explains how he “and all his comic book friends” decided to put together a zoo for kids to visit.

I’m Popeye the Sailor Man

In this track, he tells how they were able to catch a tiger because it was attracted to Wimpy’s hamburger. Popeye then sings a song about how dangerous the tiger is: “If he escapes just run run run, and tell Mr. Keeper ‘Get your gun gun gun!’” That seems a bit extreme to me, especially considering you’ve got somebody like Popeye who could just down a can of spinach, zoom out to the tiger, swing him around by his tail, and throw him bodily back in his cage. (Or if the tiger really got feisty, he could punch him so hard he’d fly into the air and come down as tiger chops and hot dogs.) (more…)

Way Out Wednesday: “Tomorrow on the Children’s Corner” with Josie Carey and Fred Rogers

In 1954, before Mister Rogers brought his Neighborhood to national television, he was a part of a local show in Pittsburgh called The Children’s Corner. A woman named Josie Carey was the host, and Rogers performed and voiced the puppets, most (if not all) of which carried on to his later show. This Saturday, February 27th, is the 7th anniversary of Rogers’ passing, so this seems like an excellent time to remember some of his early work.

The album starts with what I assume was the show’s theme song “It’s Morning,” sung by Carey. You’ll note that it’s the same tune as Rogers’ closing theme “Tomorrow,” but it does seem odd hearing it with different words and a different singer!

It’s Morning

Carey thinks 17 ½ nice thoughts, which brings her to the Children’s Corner. Here she visits with Daniel Striped Tiger. Daniel receives a phone call from King Friday XIII to come to the palace right away. They know it must be important because they didn’t even have to make an appointment. As they enter the King’s throne room, he sings “I’m Busy Being Busy.” (more…)

Way Out Wednesday: The Big Top Singers, “Let’s All Go to the Circus”

In honor of the Winter Olympics taking place in Canada, Way Out Wednesday (sort of) salutes our buddies up north (or whatever direction gets you to Canada) with this album of circus songs published by Peter Rabbit Records in Toronto. Let’s dive in, shall we?

We start things off with an introduction from the Ringmaster, who sort of narrates between the songs. The circus parade has come into town, so he’s here to sing about the Greatest I mean Biggest Show on Earth.

The Biggest Show on Earth

Leading the parade is Annette the Majorette, who wants everybody to scream and glorify her name. Annette is certainly not suffering from low self-esteem, is she? Then a men’s chorus start to do this very thing. You’re not helping, guys! FUN FACT: Annette’s voice is so piercing that on the circus’s off-season she hires herself out as an air raid siren! (more…)

Way Out Wednesday: The Stars of Gentle Ben, “The Bear Facts”

Remember the 1967 television show Gentle Ben? It was a heartwarming adventure about a boy and his bear, sort of like if Lassie was a grizzly and Timmy was Ron Howard’s brother. I would tell you more about the show, but that’s pretty much all I can remember about it. According to the liner notes of this album, one episode featured Clint Howard singing. Apparently the performers (led by cast member Dennis Weaver) had so much fun they decided to record an entire album (aided and abetted by “The Good Time People,” a group only slightly less perky than Up With People).

Our first song features young Clint Howard and his father, Rance. This selection was a good idea, because there’s not really any singing in it at all. It’s more about something called a Whatchamacallit that, among other things, will “blow your mind.” On second thought, these guys are starting to remind me of the Space Hippies on the old Star Trek show.

Clint and Rance Howard – Whatchamacallit

Next we have Clint going solo on the song “I Am the Way I Am.” I know you’re waiting for me to tell you what a godawful singer he is, but I kind of like his performance here. Ever since the musical Annie, it seems like every child singer (both female and male) has to sound like Ethel Merman on helium. Not Clint, though. He just sounds like some kid walking down the sidewalk singing his own thing, and that’s kind of refreshing (and somewhat reminiscent of his brother Ronny’s performance in The Music Man). (more…)

Way Out Wednesday: “Why, Mommy…?”

It’s time to dig way back in the Way Out Junk archives for this children’s album. I’m not sure how old this one is, but the cover seems to indicate early 1960s at the latest. This record’s unifying theme is the questions we as kids might ask, and it’s split between two different performers: Paul Tripp (referred to here as Mr. I. Magination) and Tom Glazer.

The first selection features Tripp singing a song about “What’s Inside Our Earth?” He gets pretty thorough about it, too. For some reason his quote at the beginning of this song creeps me out a little: “I know there’s lots of things inside your head.” I expect him to add, “Let’s crack it open and see.”

What’s Inside Our Earth?

The next song asks the musical question “Do Animals Talk to Each Other?” Hoping to find an authoritative answer, Tripp merely replies, “I’m sure I wish I knew.” Well, if you didn’t know, why did you even bother answering it? (more…)

Way Out Wednesday: Big Daddy, “Sgt. Pepper’s”

I conclude my look at the band Big Daddy with their last album of all new performances, 1992’s Sgt. Pepper’s. Here they took on the awesome challenge of recording every track from the classic Beatles album in their own inimitable way (in other words, doing them as ’50s and early ’60s-style cover versions).

First, we look at the song “With a Little Help from My Friends,” performed here with a definite Johnny Mathis influence. Once you get past the change, it’s really a quite pretty song (and the guy does a pretty good Mathis as well).

With a Little Help from My Friends

What if Jerry Lee Lewis did his own version of “Lucy in the Sky with Diamonds”? Well, it would certainly rock! There’s some great piano work on display here. (more…)

Way Out Wednesday: Big Daddy, “Meanwhile, Back in the States”

In this week’s Way Out Wednesday, I’ll talk about the second album from novelty band Big Daddy. If you’d like to read their fictional backstory, you can find it in last week’s report here. This next album contains more of the same fun formula: ’80s music done in the style of ’50s and ’60s pop music.

The first song I’ll feature here is a natural for the redo: Phil Collins’ song ”Sussudio,” which sounds like something background singers would be singing anyway.

Sussudio

Next, we have a favorite of mine. It’s Cyndi Lauper’s big hit “Girls Just Wanna Have Fun,” with a nod to “Duke of Earl.” (I love the mouth popping during the instrumental break!)

Girls Just Wanna Have Fun

With “Flashdance,” they start out slow, but then it picks up with some great doo-wopping in the back. (And if you’ve ever been doo-wopped in the back, you’ll know just how painful that can be.) (more…)

Way Out Wednesday: Big Daddy, “What Really Happened to the Band of ‘59?”

I’ve written previously about the novelty group Big Daddy. In case you’ve slept since then, here’s the concept for the band:

While on a USO tour of Southeast Asia in 1959, Big Daddy was captured by Communist forces and held captive until the mid ’80s, at which time they were rescued by CIA forces and subsequently returned to the United States. While being held at Camp David for de-briefing, they were given sheet music of contemporary hit songs so that they could re-build their repertoire and get back to the only work they knew…making music. Of course, not having heard the evolution of rock music during the quarter century they spent imprisoned in the jungles of Laos, they arranged and performed these songs the only way they knew how…in the classic styles of the 1950s.

Sometimes the song will be in the style of another song or artist, and sometimes not. That’s really all there is to it, but it’s amazing how well the conceit works. Here are a few examples from their first album.

We start with the Barry Manilow classic “I Write the Songs” (which, by the way, was one of the few songs he didn’t write) done in a style reminiscent of the Danny and the Juniors song “At the Hop.” It definitely perks the tune up! (more…)

Way Out Wednesday: Zero Mostel Reads “How the Grinch Stole Christmas”

This week I have a special holiday treat for you. It’s the 1975 album “How the Grinch Stole Christmas”, performed by Zero Mostel. Even though Karloff’s version of The Grinch remains a sentimental favorite for me (aided in no small part by Chuck Jones’s direction), Mostel definitely makes the part his own. While Karloff’s Grinch was sinister (and Jim Carrey’s Grinch was annoying), Mostel’s sounds downright crazy! So take a listen to Zero Mostel’s retelling of “How the Grinch Stole Christmas” and see what I mean.

Zero Mostel – How the Grinch Stole Christmas

Also included on this album are some Christmas songs sung by Alan Mills, and if you’d like these as well, you can get the entire album here. This ends my first year of reporting (more or less weekly) on Popdose, and I plan to keep doing it as long as they’ll have me. (Good luck getting out of this place alive –Ed.) So until next time, I’d like to wish you all a Merry Christmas, Chappy Chanukah, Kooky Kwanzaa, Rockin’ Ramadan, Wacky Winter Solstice, and if you don’t celebrate any of these, enjoy the after-holiday sales!