The Nineteenth Day of Mellowmas: Kenny’s Beard Strikes Back

Jeff Giles and Jason Hare December 19, 2010 15

Jeff: So, Jason, it just occurred to me that I think we made a mistake last year.

Jason: By “last year,” do you mean “the past five years”?

Jeff: Ahem. What I mean is that it’s become sort of an unintentional tradition for us to cover Kenny Rogers and Dolly Parton every year. Which kind of makes sense, given that they’ve released, like, six Christmas records, but whatever.

Jason: Did we cover them three times? I remember two. I remember “I Believe in Santa Claus,” and “A Christmas to Remember.”

Jeff: At this point, all I remember is Dollytoe.

Jason: Ha!

Jeff: And something about a really creepy holiday mannequin.

Jason: One featured Kenny as Santa, and the other one featured them making out in a chalet filled with mannequins. (Which, now that we’ve talked about Annie Lennox, I realize must have totally freaked you the fuck out.)

Jeff: AAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHH

My point is this: I think we only covered Dolly last year. No Kenny! What the fuck, Jason?

Jason: We covered Dolly on her own last year? I’m so tired. I don’t remember.

Jeff: I think last year was the return of Dollytoe or something, wasn’t it? I don’t remember either. My real point is this: KENNY ROGERS JUST RELEASED A LIVE CHRISTMAS ALBUM.

We cover a lot of artists here, and we’re familiar with the ones who really, really love releasing Christmas albums. But you’ve entered a special circle of Mellowmas when you release a LIVE Christmas album.

Jason: To be honest, Jeff, I’m surprised this is his first live Christmas album. He tours the Christmas season every year.

Jeff: I know! I keep trying to get you to go!

Jason: Didn’t your wife suggest you go with me this year?

Jeff: Shhhhhhh.

Jason: I love your wife.

Jason: Why can’t this be a Kenny Rogers/Lionel Richie live Christmas album?

Jeff: Because Lionel Richie is freaked out by Kenny Rogers’ glowing orange skin?

Jason: I’d pay twice for that. I wonder if Dolly sees him as normal.

Jeff: Sadly, I don’t think Kenny had any special guests on his live Christmas album. Not a Dollytoe to be found.

Jason: Boo, Kenny! You suck, Kenny! What’s Christmas without Dolly, Kenny?

Jeff: …Not tacky? Oh, wait, you weren’t asking me.

Jason: No, I was asking Kenny, but I believe his ears were lifted too high for him to hear me.

Jeff: Hey, speaking of tacky, check out this song from Kenny’s live Christmas album: it’s called “Mary, Did You Know.”

Jason: Let’s figure out the next lyric!

Jeff: “Mary, did you know God was schtupping you?”

Jason: “Mary, Did You Know We’re Having Roasters For Dinner Tonight?”

“Mary Did You Know A Squirrel Lived In My Beard From 1979 – 1991?”

Jeff: “Mary, did you know we’re watching Six Pack in bed tonight?”

See, I’m making fun of Kenny here, but now that I’ve opened Wikipedia, I see that “Mary, Did You Know” has a rather rich history.

Jason: “Mary, Did You Know I Lost My Keys Somewhere In Dollytoe?”

Jeff: For instance, it’s a Marian hymn. Whatever that is. Also, it has been covered by Clay Aiken.

Jason: You can stop there. I don’t need to know any more.

Jeff: Oh! And Kenny has recorded it before. As a duet with Wynonna Judd!

Jason: Oh sweet Jesus.

Jeff: They shared many Kenny Rogers Roasters after it was over. Hey, whoa. The Clay Aiken version? It peaked at #32 on Billboard’s Hot Christian Songs chart.

Every single word in that sentence sounds wrong.

Jason: “Mary, Did You Know That At Kenny Rogers’ Rosters, You Don’t Need A Napkin, Just My Papery Face?” I think I just figured out the new direction for Chart Attack! in 2011.

Jeff: I was drinking when you said that, and now I do need a napkin. Hold on.

Jason: Mellowmas Victory is mine!

Jeff: Well, I guess we’ve probably stalled enough. Are you ready to hear your first live Marian hymn?



Kenny Rogers – Mary, Did You Know? (live)

Jason: Ooh, those strings are live, I think. And yet, the drums are not.

Jeff: Sadly, I think all of this was performed on stage, in front of a live studio audience. Kenny Rogers sounds a little like a goat.

Jason: I hope someone fucks up and presses the TR-808 cowbell sound. Actually, so far, he actually doesn’t sound so bad. I’m surprised.

Jeff: Ha ha ha! That would be great. I’d love to hear Salt ‘n’ Pepa come out and start doing “Push It” over this. Who’s that other person singing?

Jason: I was just going to ask you! I think it’s Oleta Adams. (I am totally making that up.) Maybe it’s Amy Keys?

Jeff: No sax, though. Wynonna? Mary, did you know how so many people ended up covering this boring-ass song?

Jason:
“The dumb will speak.” Too late!

Jeff: I can’t even picture the stage setup for this. Did Kenny bother having a pretend band behind him?

Jason: “Mary, Did You Know You Can Get 1/4 Dark Meat And 1/4 White Meat For $11.99 Now Through December 31st?”

Jeff: “Mary, Did You Know I Used to Matter?”

Jason: Oh, listen to that ’80s keyboard sound.

Jeff: Oof. Hey, guess what? I hate this song.

Jason: “Mary, Did You Know I Funded Boats For Three Different Plastic Surgeons?”

Jeff: Holy shit! It ends with no applause!

Jason: Wait a second. That song just ended and there was no crowd noise whatsoever!

Jeff: What kind of live album is this?

Jason: A bullshit live album! Maybe the audience booed, and they had to edit it out.

Jeff: OR THE MOST HONEST LIVE ALBUM OF ALL TIME.

Jason: Wow. Should we be praising Kenny?

Jeff: I don’t exactly feel like praising anyone other than my glass of bourbon right now, but okay. If it keeps Kenny from releasing yet another Christmas album, I’ll praise anyone.

Jason: I’ll be honest. I didn’t hate the song. It was kind of moody in a nice way. But I’d be interested in hearing someone else sing it. AND NO, NOT CLAY AIKEN BEFORE YOU GET ANY FUCKING IDEAS.

Jeff: “Moody in a nice way”? Who are you? That was terrible. It was schmaltzy and dumb.

Jason: Yeah, but so am I.

Jeff: That’s an excellent point.

Jason: Don’t get me wrong. I’m not going to ever listen to it again. But this is the holiday season. We should review what we’re thankful for. I’m thankful he didn’t yell at me like Annie Lennox did.

Jeff: As am I.

Jason: I’m thankful I didn’t have to stare at a picture of Dollytoe looking like the Joker.

Jeff: YES. I’m thankful for fried chicken. I’m also sort of hungry.

Jason: If you want, I could have some fried chicken served to you by a mannequin.

Jeff: AAAAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHHHH

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  • http://mostlymodernmedia.wordpress.com Beau

    Maybe this was recorded live in a church that doesn’t believe in applause.

  • http://www.facebook.com/mburke77 Michael Burke

    What an intro, those are some very King Crimson-y chords to open a Christmas song with.

    It goes immediately downhill when Kenny starts singing.

  • Terje

    I had my medium call Kenny’s face. No Kennygram for you this year, she says.

  • http://twitter.com/tcote Thierry Côté

    Maybe there was a big screen showing Kenny plasticized face, and the audience was too startled/frightened to applaud.

  • http://digitaldreamdoor.com/pages/best_songs-Power-Pop.html Brett Alan

    I’m surprised you didn’t know this song before…the studio version gets a fair amount of airplay around here on Christmas stations, and I understand it’s popular with certain more religious type folk.

    After extensive research, I can reveal that a “Marian hymn” is a hymn about the virgin Mary.

    For me, the absolute highlight of this post was the fact that you created a tag called “Lionel Richie said no”. I will be very disappointed if that tag isn’t filled up with more relevant posts. B^)

  • http://jackfear.blogspot.com Jack Feerick

    A “Marian hymn” simply means a hymn to the Virgin Mary. “Immaculate Mary,” “Ave Maria,” “Hail Holy Queen Enthroned Above,” that kind of thing. And, uh, this piece of crap.

    If you ever need to know anything about hymnody and liturgical music, BTW, I’m your man; while other guys of my age and background were playing in bar bands, I was directing a church choir. (Long story.)

  • http://www.wingsforwheels.net dslifton

    I get what Jason’s saying about it being moody in a nice way. The tune is quite pretty with some good modal harmonies. A better arrangement and performance could have brought that out.

  • http://twitter.com/tcote Thierry Côté

    I hope that the creation of an “orange, papery skin” tag doesn’t mean that we’ll have to suffer through a ton of John Boehner posts on Popdose in 2011.

  • Snipnsnap

    I too am surprised you haven’t hear this before, it’s been getting pretty regular airplay the last few years. I believe it was written around 1986. You’ve remarked how few new Christmas songs are made nowadays, it’s even less likely for a religious themed one to gain a toehold. I have Clay’s version, it’s quite good. I put it on the first holiday compilation I made and gave it to several people. Was really the only ‘unknown’ song on it. And it was the song that most people came back and told me how much the loved- and we’re not religious folk. Think the original was done by Mark Lowry.

  • Anonymous

    Have a look at this. I don’t know what disturbs me worse: the face job, or the fact that a major label would release an album using that font in 2006.

  • http://www.popdose.com jefito

    Papyrus! If it’s good enough for James Cameron, it’s good for us all. Also, didn’t Kenny ditch the majors and start releasing his own stuff a long time ago?

  • Anonymous

    Thank you, I’d forgotten what it was called. Nuzzling Comic Sans and Mistral at the bottom of the font food chain.

    And that’s a Capitol Nashville release, my friend. We had a copy lingering at my day job for months before being jettisoned to clearance. And it mocked me with its insistent manifold layers of wrong every chance it got.

  • http://www.bullz-eye.com Anonymous

    Maybe they recruited the same audience that attended Joe Jackson’s Big World shows?

  • http://www.popdose.com jefito

    Beautiful rock-nerd reference!

  • JonCummings

    The Joe Jackson reference was what came to mind for me, too. From the first time I heard it, I imagined Joe (the bitchy control freak) lecturing the audience on not applauding, and promising to have anyone removed if they so much as whistled. It’s hard (but not impossible) to imagine Kenny doing the same thing for a Christmas album. Maybe Kenny threw drumsticks into the crowd to keep their hands and mouths occupied.